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Authors

  • David Serrano Ordozgoiti Universidad Complutense de Madrid.
Vol. 28 (2018), Archeological data, pages 259-294
DOI: https://doi.org/10.30827/cpag.v28i0.8486
Submitted: Dec 26, 2018 Accepted: Dec 26, 2018 Published: Dec 20, 2018
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Abstract

The following essay aims to review in a critical way the most significant stages of the museographic projects celebrated during the commemorations of the 2000th an­niversary of the birth (1937) and the death (2014) of Octavian Augustus. Through a diachronic narrative, we will analize firstly the instrumentalization of the fascist regime in the creation of an Augustus “founder” of the Roman Empire and its subsequent identification with Mussolini, and, secondly, we will study the most important event of the decade: the Mostra Augustea della Romanità. Subsequently, the protagonist will become the exhibition dedicated to the Princeps in Rome in 2013, and then in Paris the following year, in the framework of the celebrations of the bimillennial of the death of the sovereign. Finally, we will propose a critical analysis of the evolution of the exhibitions described above and we will try to examine the strengths and limitations of these world-class proposals.

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How to Cite

Serrano Ordozgoiti, D. (2018). THE AUGUSTEAN BIMILLENNIAL: FROM FASCISM TO THE PRESENT (1937-2014). APPROACHES FOR A CRITICAL ANALYSIS. Cuadernos De Prehistoria Y Arqueología De La Universidad De Granada, 28, 259–294. https://doi.org/10.30827/cpag.v28i0.8486